Love Between the Covers
Love stories are universal. Love stories are powerful. And so are the women who write them.
Romance fiction is sold in 34 languages on six continents, and the genre grosses more than a billion dollars a year — outselling mystery, sci-fi, and fantasy combined. Yet the millions of voracious women (and sometimes men) who read, write, and love romance novels have remained oddly invisible. Until now.
fandom unlike all others, a global sisterhood where authors know their readers personally and help them become writers themselves. During the three years we’ve been shooting Love Between the Covers, we have witnessed the biggest power shift that has taken place in the publishing industry over the last 200 years. And it’s the romance authors who are on the front lines, pioneering new ways to survive and build communities in this rapidly changing environment.
Watch the Official Trailer
Love Between the Covers – Official Trailer from Laurie Kahn on Vimeo. Project History – Love Between the CoversBy Laurie Kahn, Director
Romance is the behemoth of the publishing industry; it outsells mystery, sci-fi, and fantasy combined. Yet no filmmaker has ever taken an honest look at the amazing global community that romance writers and readers have built.
As a documentary filmmaker, I want to bring the lives and work of compelling women to the screen, because any industry dominated by women is typically dismissed as trivial and “merely domestic.” My previous films — A Midwife’s Tale and Tupperware! – are very different from one another, but they were both shaped by my desire to look honestly at communities of women who haven’t been taken seriously (but should be), who deserve to be heard without being mocked.
I knew very little about the romance community when I decided to make this film. But the further I got into this subject, the more convinced I became that the romance community is not only an interesting sisterhood including more than 100 million women around the globe, but also a phenomenon to learn from.
No filmmaker has ever had the access we’ve had. We have been allowed to film behind-the-scenes strategy and editorial meetings at publishing houses; we’ve been included in the private lives of our main characters; we’ve captured public and private moments at conferences where thousands of romance readers and romance writers are gathered; we’ve been invited to shoot on trips with authors and their fans in South Carolina, Alaska, and Texas; we’ve been allowed to film both high-end and low-budget romance cover shoots; and we’ve been granted an unusually intimate interview with superstar Nora Roberts.
Love Between the Covers is one part of a larger effort called the Popular Romance Project that I dreamt up five years ago. To pull off this huge project, I found fabulous partners: The Library of Congress Center for the Book, the Roy Rosenzweig Center for History and New Media, and the International Association for the Study of Popular Romance (IASPR). They’ve all been a pleasure to work with!
The Popular Romance Project explores the fascinating, often contradictory origins and influences of popular romance as told in novels, films, comics, advice books, songs, and internet fan fiction, taking a global perspective—while looking back across time as far as the ancient Greeks.
In addition to the film the Popular Romance Project includes:
- org – the interactive, content-rich website launched in 2011 by the Roy Rosenzweig Center for History and New Media. The site allows its users to see romance novels in a broad context across time and place—with a huge archive of Love Between the Covers interview excerpts, teaching resources, and blogs by romance authors, scholars and industry insiders.
- What Is Love? Romance Fiction in the Digital Age – an international, multimedia conference of scholars, writers, and readers, hosted by The Library of Congress Center for the Book, funded by Harlequin and the Nora Roberts Foundation. The conference took place on February 11, 2015 at the Library of Congress — open to the public and free. It was an exciting, stimulating day for all who were there, and videos of the panels will be available at the Library of Congress website.
Our advisory board and colleagues at IASPR have been there to help us every step of the way. IASPR’s current president, Pamela Regis, was the co-chair of the conference at the Library of Congress.
Many institutions and individuals have supported this project: the National Endowment for the Humanities, Mass Humanities, the Nora Roberts Foundation, Romance Writers of America, Amazon.com, Harlequin Enterprises, the Tavris Fund at Brandeis University, our amazing supporters at Kickstarter, and those who’ve donated through our website, lovebetweenthecovers.com.
10 Surprising Facts about Romance Novels by Laurie Kahn
Four years ago, when I began making my documentary film Love Between the Covers, I stepped into a community I knew nothing about: the global network of women who write, read, and love romance novels. What I found surprised me. Here are ten things I learned:
- Romance fiction is a billion-dollar industry
Romance novel sales total more than a billion dollars a year. They sell as much as sci-fi, mystery, and fantasy combined.
- The romance readership is HUGE and global
More than 70 million people in the USA alone read at least one romance novel per year, and most of them read many more. The work of popular American romance writer Nora Roberts is translated into 33 languages and distributed on 6 continents.
- There is a surprisingly wide range of romance novels
Like romance blogger Sarah Wendell says, “Whatever your cup of tea is, someone’s pouring it.”
Romance novels are often equated with “bodice-rippers,” but the steamy historicals with Fabio on the cover were published back in the 1970s and 1980s. Since that time, the spectrum of romance novels has exploded. On one end of that spectrum, there are chaste evangelical romances. On the other end, there are BDSM romances (yes, likethat one).
In between, you’ll find paranormal romance with vampires and shapeshifters, time-travel romance, historical romance, contemporary romance, and romantic suspense. There are growing romance subgenres for LGBT love stories, a large community of writers who specialize in African-American romance, and there’s even a popular Amish romance subgenre.
- Everybody’swriting romance
Women of every description (and a small number of men) are the engine of this industry.
Contrary to expectations, romance authors come from every economic class, every racial group, every sexual preference, and every level of education.
When I asked the pioneering African-American romance author Beverly Jenkins about her peers, she told me, “Women from all walks of life do this. We’re not sitting in the proverbial trailer park in ratty nightgowns, eating jelly beans and watching soap operas. There are some pretty powerful women doing this! Geneticists, astrophysicists, lawyers, doctors…” The list goes on.
Len Barot (pen name Radclyffe), one of the main characters in Love Between the Covers, began writing lesbian romances during her surgical residency. Mary Bly (pen name Eloisa James), another main character in the film, is a Shakespeare scholar by day and an author of historical romances by night.
I interviewed PhDs, lawyers, and insurance executives. I also interviewed romance authors who worked in factories. There’s an open door for anyone who wants to give it a try. Nora Roberts, the rock star of the romance industry, never went to college.
- Women in the romance community are more likely than the general population to be currently married or living with a partner.
We’ve all seen depictions of the lonely, lovesick romance writer, who pens titillating novels while eating bonbons and sobbing over her keyboard.
Don’t believe the stereotype. While romance does offer women a place to escape daily life and live out their fantasies, this community of readers and writers are statistically more likely than most to be in happy relationships.
- Romance authors become personal friends with their readers, and readers find one another.
In the romance community friendships that begin online – based on a shared love of books– often become real and enduring friendships.
Beverly Jenkins and her readers are in constant contact at Beverly’s Facebook page, talking about books, football, music, and the ups and downs of their everyday lives. Every other year, Beverly takes a trip with her readers to places where her novels are set.
Radclyffe invites beginning authors to her farm in upstate New York, where she leads workshops on romance writing, and several of Eloisa James’s loyal readers told us they found their closest friends, with whom they communicate every day, through Eloisa’s blog.
- Romance writers get tremendous support from one another
Why are these women so happy to pull a less experienced writer up the ranks? I asked many authors this question, and almost all of them told me stories of their early romance mentors–and their desire to pay it forward.
At a Romance Writers of America (RWA) national conference, unpublished writers are always welcome (something that does not happen at other writer conferences), and there are dozens of workshops taught by established writers about everything from plot structure and writing knife-fights, to social networking and negotiating contracts. You will see bestselling novelists sitting down for coffee with unpublished newbies, critiquing their work and giving them business advice.
- Romance authors are on the cutting edge, pioneering new technologies
Romance writers and readers were the first to enthusiastically adopt e-books, a service which works well for anyone who buys hundreds of books, and romance writers have always been mavericks of social media, using it effectively to build fan communities.
Romance has been at the forefront of the biggest change to take place in publishing in the last 200 years: self publishing. Together, romance authors have figured out how to succeed in self-publishing. Instead of being secretive, these one-person indie publishing houses share their knowhow and numbers (not a common practice in publishing).
- You can take courses about romance fiction at Princeton, Harvard, DePaul and dozens of other universities
Literature scholars, cultural historians, and popular culture studies professors founded the International Association for the Study of Popular Romance five years ago. They hold annual conferences, and they’ve also started the peer-reviewed online Journal for Popular Culture Studies. It’s a growing interdisciplinary field.
- Romance writing isn’t an easy gig
You might think writing romance novels is more of a breezy pastime than a professional venture, but the deadlines that romance novelists face are incredibly rigorous. Susan Donovan described the feeling of being on-deadline saying, “There’s always a flame behind your ass.” Some women publish three or four books a year. On top of this, most novelists handle their own promotion, and self-published authors also handle their novels’ distribution. When you’re a romance novelist, you are a one-woman business.
I had a blast exploring the romance community over the last four years. In creating Love Between the Covers, I discovered one of the few places where women are always center stage, where female characters always win, where justice prevails in every book, and where the broad spectrum of desires of women from all backgrounds are not feared, but explored unapologetically.
*Originally featured in The Huffington Post: http://www.huffingtonpost.ca/laurie-kahn/romance-novels_b_7109458.html
awards, been shown on PBS primetime, broadcast around the world, and used
widely in university classrooms and community groups. Her first film, A
Midwife’s Tale, was based on the 18th century diary of midwife Martha Ballard
and Laurel Ulrich’s Pulitzer Prize-winning book A Midwife’s Tale. It won film
festival awards and a national Emmy for Outstanding Non-Fiction. Her film TUPPERWARE!
was broadcast in more than 20 countries, won the George Foster Peabody Award
and was nominated for a national Best Nonfiction Director Emmy. Kahn previously
worked on Eyes on the Prize: America’s Civil Rights Years, The American
Experience, FRONTLINE’S Crisis in Central America, All Things Considered, and
Time Out. She’s a resident scholar at Brandeis’s Women’s Studies Research
Center.
